A sharp raises a pitch by one half step.
True
Or
False

Final answer:

Ludwig Mies van der Rohe is credited for the philosophy statement "less is more," which encapsulates his minimalist design approach in architecture and furniture design, including the iconic Barcelona chair.

Explanation:

The philosophy statement credited to Ludwig Mies van der Rohe is "less is more." This maxim summarizes his approach to modern architecture, emphasizing the need for simplicity and clarity in design. Van der Rohe used this principle in his architectural projects, where he meticulously organized necessary components to achieve an aesthetic of simplicity while maintaining high functionality.

For example, he might design a floor that also served as a radiator or pair a massive fireplace with a functional bathroom inside. This minimalism is also evident in his famous Barcelona chair, designed in 1929, which became a symbol of the Bauhaus movement's fusion of design and craftsmanship.

Claude Monet's Haystacks series, including 'Haystacks (Effect of Snow and Sun)' and 'Haystacks Midday,' showcases his Impressionist technique of short, quick brushstrokes and a variety of opaque colors to capture the changing effects of light on the haystacks near his home in Giverny.

Claude Monet, a central figure in the Impressionist movement, created a series of paintings focused on haystacks near his home in Giverny. Utilizing the technique of painting en plein air to capture the transient effects of light and atmosphere, Monet produced one of his most famous series, the Haystacks. These works, including 'Haystacks (Effect of Snow and Sun)' and 'Haystacks Midday', showcase Monet's interest in how light and time of day influence color and perception.

Monet's technique involved layering short, quick brushstrokes with a variety of opaque colors to recreate the intricate play of light on his subjects. He painted multiple canvases of the same scene at different times of the day, keenly observing how the changing sunlight altered the appearance and color of the haystacks. This painstaking process was driven by his ambition to capture fleeting moments of natural light and shade, emphasizing the importance of direct observation and the impact of light on color. Monet's haystacks series broke new ground in its emphasis on variation, repetition, and temporal change, setting a precedent for the treatment of light and atmosphere in art.

Answer:

B) The two types of incunabula are xylographic, and typographic is the correct answer.

Explanation:

Incunabula is a book, pamphlet or broadside printed before 1501; they are not written by hand and there are two types.

Xylographic is also known as block book, which means that every page was printed from a wooden block that was carved or sculpted.

Typographic was made with individual pieces, also known as movable type, which made corrections easier since it was possible to change one character or line instead of printing the whole page again.

D, growing old can affect family relationships

Hope this helpsss!!!!

(im doing this common lit and i got an a on it.)

The theme in the poem 'Abuelito Who' is that growing old can affect family relationships.

The theme in the poem 'Abuelito Who' is that growing old can affect family relationships. The poem explores the perspective of a child who is reflecting on their aging grandparent and the impact it has on their relationship. It conveys the idea that as people age, their abilities change and this can bring about different emotions and dynamics within the family.

The poem explores the impact of aging on family relationships, particularly the relationship between the speaker and their grandfather (abuelito in Spanish). As the grandfather ages, there are changes in the dynamics and interactions within the family, which can evoke complex emotions and reflections on the passage of time. This theme underscores the universal experience of how aging can influence the dynamics and connections within a family unit.

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Romantic landscapes were intended to evoke the sublime, a feeling of awe mixed with terror in the face of nature's grandeur. Romanticism emphasized emotional responses and individual imagination, with the Hudson River School being a notable example of this philosophy in art.

The particular feeling that Romantic landscapes were meant to invoke in viewers is known as the sublime. This emotional experience combines awe, beauty, and terror, often eliciting a profound reaction to nature's grandeur and power.

Romanticism as an artistic and intellectual movement placed emphasis on emotion, freedom, and the individual imagination. In this context, the sublime experience is closely associated with nature's untamed aspects and its capacity to inspire the observer with overwhelming feelings that transcend everyday experiences.

English painter Edmund Burke suggested in his work A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful that the sublime could evoke emotions such as terror in humans.

Romantic artists aimed to capture this sense of the sublime in their landscapes, depicting nature as a dominant and awe-inspiring force. The paintings often included elements designed to enhance the romantic atmosphere, such as mysterious ruins or idyllic pastoral scenes.

The Hudson River School, for example, was known for landscapes that exemplified the romantic sublime in 19th-century America.

Final answer:

The sublime is the feeling that Romantic landscapes aimed to invoke, characterized by powerful emotions of awe and grandeur. This was central to the Romantic movement, which emphasized the individual's emotional experience and connection with nature.

Explanation:

The particular feeling that Romantic landscapes were meant to invoke in viewers is known as the sublime. This term refers to a feeling of awe, grandeur, and a sense of the overwheling power of nature, which often induces emotions ranging from wonder to terror.

Edmund Burke, in his Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, suggests that nature can elicit sublime emotions that transcend everyday experience.

Romanticism as a movement idealized these emotional experiences alongside a profound reverence for nature, elevating the individual imagination above classical forms and academic conventions.

Artists from the Romantic period sought to capture this sensibility in their paintings, using techniques that conveyed drama, emotion, and a deep appreciation for the untamed aspects of the natural world.

The landscapes were not just visually appealing, but also emotionally stirring, allowing viewers to feel a personal and authentic connection with the raw power of nature and the human spirit.

Answer choices are:

A. The rococo movement

B. The neoclassical movement

C. Mannerism

D. The baroque era

____________________________________________________________

Correct answer choice is:

B. The neoclassical movement.

Explanation:

Neoclassicism is the title granted to Western campaigns in the embellishing and visible artworks, writing, theatre, musicology, and construction that draw motivation from the "traditional" art and culture of traditional obsolescence.

In contemporary flower arrangement, moss is often glued at the bottom of the container, and floral foam is placed on top of it to stabilize and provide water to the arrangement.  The correct option is: C) moss

In contemporary flower arrangement, option C) moss is sometimes glued to the bottom of the container to cover the surface and create a natural and polished look. The foam, often referred to as floral foam or oasis, is then placed on top of this layer of moss. Floral foam serves as a stabilizing medium that holds water and provides your arrangement with a consistent water source, keeping the flowers fresh for a longer period.

The moss serves multiple purposes such as concealing mechanics, retaining additional moisture, and contributing to the overall aesthetic of the floral design. Whether utilizing a transparent container made of glass or plexiglass or opting for the more traditional clay and ceramic containers, the addition of moss adds a touch of finesse to the final presentation of the flower arrangement.

Answer:

In 313, Constantine issued the Edict of Milan granting all people in the Roman Empire freedom to worship whatever god they wished.

Explanation:

Correct answer choice is:

A. The neoclassical movement.

Explanation:

Neoclassicism is the title granted to Western campaigns in the embellishing and visible artworks, writing, theatre, musicology, and construction that draw motivation from the "traditional" art and culture of traditional obsolescence.

50% will be heterozygous, 25% will be homozygous dominant, 25% will be homozygous recessive.

The correct option for above statement is:

A. Age of Pericles

Explanation:

Fifth-century Athens is the Greek city-state of Athens in the time from 480 BC-404 BC. This was a phase of Athenian political hegemony, industrial extension and cultural flourishing previously known as the Golden Age of Athens with the later part The Age of Pericles.

Basically, Great philosphers, teachers, religious figures and even political leaders influenced Chinese art into different forms of art. By then, paintings of more subtle expressions of landscapes appeared with blurred outlines and mountain contours which conveyed distance through an impressionistic treatment of natural phenomena and it was during this period that in painting, spiritual was more emphasised rather than emotional elements as in the previous period.

Final answer:

The introduction of new religions, notably Buddhism and Christianity, along with Western influences, led to significant changes in the focus and style of Chinese paintings, incorporating a mix of traditional and foreign elements, and affecting both the subject matter and artistic techniques.

Explanation:

The arrival of a new religion in China altered the focus of Chinese paintings significantly. As the Qing dynasty began collapsing and Western influences grew, Chinese art started reflecting both traditional themes and new foreign styles. Artists like Gu Kaizhi emphasized Confucian moral themes with eloquence in their work, while Buddhist motifs and the teachings of Neo-Confucianism, such as in Lin Tinggui's 'Luohan Laundering,' depicted the intermingling of different philosophies.

Christianity's introduction during the period of Mongol rule under Kublai Khan brought about a revival of Nestorianism and the incorporation of Christian themes into art. The art also took on a more hieratical form in the depiction of subjects, such as the Vir.gin Mary, with the growth of churches that required new types of art, including oil paintings on panels and monumental altarpieces. Additionally, Zen monasteries in Japan, along with Chinese influences, led to the arrival of Sui-boku-ga or Sumi-e paintings, commonly known for monochrome ink wash painting styles.

The artist in question is Mary Cassatt, an American painter and printmaker who lived most of her life in France and was closely affiliated with the impressionists. She was awarded the Legion of Honor from the French Government in 1904.

The artist who was an American painter, printmaker and was awarded the Legion of Honor in France, and had their work exhibited with the impressionists is Mary Cassatt. Mary Cassatt lived most of her life in France, where she closely affiliated with other impressionist painters like Edgar Degas. Her body of work, primarily focused on the social and private lives of women, was innovative and deeply influential in the art world. The award of the Legion of Honor from the French Government in 1904 was a testament to her contributions to the field of art.

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Answer:

movements in art are often parallel to movements in literature.

Explanation:

Answer:

The Answer is D. The Adams Family

Explanation:

I can confirm this is correct since I took the test. Thanks to Ritaventura for helping me with mine.

Good Luck, Everyone!

God Bless! =)

Answer:

D

Explanation:

toke k12 quiz

The camera is a relatively new invention, dating back to the 1800s. However, the science of photography dates back centuries, with the first example being invented by a scientist around 1000 AD. a. (1) 18th century.

A camera lens takes all the light rays bouncing around and uses glass to redirect them to a single point, creating a sharp image. When all of those light rays meet back together on a digital camera sensor or a piece of film, they create a sharp image.

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Answer:

B (1) 1800s; (2) 1000

Explanation:

I chose A and it was wrong.

The correct answer is B. Phrase because it represents a complete musical idea, unlike the other options provided.

Musical Units in Form

Phrase:

Smallest unit of musical form that makes sense on its own.

Represents a complete musical idea, such as a melody or chord progression.

Typically lasts from two to four measures but can vary in length.

Has a clear beginning and end, conveying a complete musical thought.

Analysis of Other Options:

Period (Option A):

Larger form consisting of two phrases: antecedent and consequent.

Not the smallest unit; comprises multiple phrases.

Cadence (Option C):

Point of arrival or pause in music, not a unit of form.

Concludes phrases or sections but does not constitute a complete musical idea.

Measure (Option D):

Rhythmic unit defined by the time signature.

Not a complete musical idea on its own; part of a larger structure.

Conclusion:

Smallest Self-Contained Unit: Phrase, expressing a complete musical idea.

Correct Answer: B. Phrase.

The Answer is A And B

The Japanese cultural value depicted is 'bushido', emphasizing honor and death before surrender. The commitment to bushido led to extreme resistance against enemies, including kamikaze tactics.

The Japanese commander and his soldiers depicted in the painting probably threw themselves into the sea during a naval battle to avoid losing the cultural value of bushido, which emphasized honor, duty, and death before surrender.

Bushido, often regarded as the way of the samurai, became a powerful force in pre-World War II and during the war. The doctrine encouraged soldiers to view war as purifying, with death in service seen as a duty that ennobled the individual and served the nation.

The depiction of such an act in a painting would highlight the extremity to which honor and duty were held by Japanese military personnel. This perspective led to ferocious resistance against the allies, with tactics that included kamikaze attacks and a refusal to surrender.

These actions were a part of the ethos that Japan should lead Asia, reflecting an ultra-nationalist view that became prevalent among military officers who were increasingly contemptuous of civilian leadership.