What type of monumental art have scientists discovered from the Neolithic period, and where were they found?

A rondo and a Baroque ritornello are both musical forms that include the concept of a recurring theme. This is the main similarity between these two different forms.

A rondo and a Baroque ritornello are both musical forms that share some similarities. A rondo is a musical form characterized by the recurrence of a principal theme. It's structured in such a way that the main theme (often abbreviated as 'A') alternates with contrasting themes (such as 'B', 'C', etc). Example: ABACA. Similarly, a Baroque ritornello also utilizes a recurring theme. In the context of Baroque concertos, the ritornello is a recurring passage for orchestra in the first or final movement. It's also a section in which the whole ensemble plays a well-defined, unified phrase. So, you can see that both the rondo and the ritornello involve this concept of a recurring theme.

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Answer:

That is a paint made it by Joseph Mallord William Turner . The title is "The Burning of the Houses of Lords and Commons" on October 16, 1834. It represent  the Burning of Parliament from the south bank of the River Thames, opposite Westminster, that occurs in the same year. It represents nature’s power over man and the terrible consecuens. It compares the strong of the nature with the strong of the man. For example, in the paint the small dots of light from the man-made gas lamps seem weak compared to the uncontrollable flames. The painting also hints at political unrest. The Houses of Parliament were built in the eleventh century and represented governmental stability. The fire occurred during a time of political change, and some regarded the event as a symbol of the need for further reform.

Explanation:

The event that is depicted above is the Burning of the Houses of Lords and Commons.

It shows the burning of the British Parliament in the year 1834 which lasted for several hours as people watched.

The painting was painted by Joseph Mallord William Turner to showcase the event from the perspective of someone downriver.

In conclusion, this shows the burning of Parliament.

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Final answer:

The primary means of communication for an actor are the voice and body language, which are essential for conveying character and emotion effectively. Rehearsal and physical conditioning are vital for actors to maintain performance without interruption, and the choice of communication channel can significantly influence message delivery.

Explanation:

The actor's primary means of communication is the voice and body language. The breath and voice are foundational tools for not only expressing language but also for releasing physical and emotional energy through action and gesture. Proper rehearsal and conditioning of the body and mind are crucial for actors to perform without hesitation or lapses of concentration and to maintain endurance during their performance. When discussing the means of communication, it is also important to consider the actor's ability to convey character and story through language, as seen in the performance of poetic drama where language plays a key role.

An actor uses various channels to communicate, including face-to-face encounters, telephone calls, or digital communication. However, the channel chosen impacts the effectiveness of the message delivered. Public speaking, for example, differs substantially in a face-to-face setting compared to a digital presentation.

The tone and language a character uses, combined with physical and facial expressions, are critical in defining a character's background and potential actions within the narrative. Voice and body language contribute substantially to the audience's overall impression of the speaker.

Answer:

The correct answer is C. Drawing from the subconscious mind without regard to what is considered good.

Explanation:

Final answer:

Brahms is often described as a traditionalist due to his adherence to classical forms and structures, contrasting with avant-garde composers like Schoenberg who broke with tradition through atonality and the twelve-tone scale. Classical principles of music were highly regarded during the Romantic era and were preserved by Brahms and his contemporaries.

Explanation:

Brahms is often described as a traditionalist because of his use of the forms established by the classical masters. During the Romantic era, composers like Brahms, Schumann, Schubert, and Chopin emulated the music structures crafted by Classical period icons such as Haydn, Mozart, and Beethoven. Brahms, honoring the Classical legacy, maintained the essential rules of form, rhythm, melody, harmony, and harmonic progression that were well-established in the Classical era. These composers, while extending the emotional range and expressiveness, did not abandon the key principles of the music from the past but built upon them to bring new depth to their compositions.

In contrast, composers like Arnold Schoenberg represented the avant-garde, breaking away from these traditional norms by exploring atonality and the twelve-tone scale. His defiance of the western music tradition with its established scales and rhythms marked a significant departure from composers like Brahms who were rooted in the continuation of classical forms.

The Classical period highly valued clear, structured, and audible forms in music, traits which Brahms and his contemporaries preserved while infusing the emotional and expressive characteristics of the Romantic era. This was in stark contrast to the avant-garde approach and the experimentation with form and atonality seen in later periods.

Answer:

Publicist

Explanation:

Answer:

The greatest achievements of Roman architecture are the dome, the arch, & the vault. They’re applications of the same concept, because all three of them can create bigger & better things.

Explanation:

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Answer:

The Roman Kingdom, which began with the establishment of Rome in the eighth century BCE and concluded with the overthrow of the kings in 509 BC, was the first period of Ancient Rome.

Explanation:

Prior To That Moment, IT WAS ONE OF THE LARGEST EMPIRES IN HISTORY.

Augustus Caesar, commonly known as Caesar, was born Gaius Octavius and transformed the Roman Republic, which had been plagued by civil wars, into a stable monarchic Empire in 27 BCE. Augustus, who ruled until 14 CE, greatly enlarged his empire by colonizing vast swaths of land.

WESTERN ARCHITECTURE'S FOUNDATIONAL ASPECT WAS THE ROMAN ARCH.

An arch is a curved, symmetrical structure that distributes the weight of a building evenly among many supports, preventing massive constructions from collapsing under their own weight.

ROMAN AQUEDUCTS ARE THOUGHT TO BE ENGINEERING MASTERPIECES.

The Romans improved on the aqueduct, despite the fact that it had been designed far earlier in India, Egypt, and Greece. They constructed aqueducts throughout their empire, resulting in a complex and vast water distribution system.

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Answer:

B.theme 1 is a minor key;theme 2 is in a major key

Explanation:

I did it on a quiz and it was right I would provide a screenshot but I can't reveiw the quiz but I got 100%.

Final answer:

Cubist artists like Georges Braque and Pablo Picasso were influenced by Paul Cézanne's geometric simplification and structural exploration, leading to the innovative Cubism movement. They abandoned traditional linear perspective in favor of representing objects from multiple views, revolutionizing the way space is depicted in art.

Explanation:

Influence of Paul Cézanne on Cubist Artists

The paintings of Paul Cézanne had a profound influence on cubist artists, particularly in the development of Cubist sculpture and painting. Cézanne's work embraced geometric simplification, which led to the reduction of objects into basic shapes like cubes, spheres, cylinders, and cones. This approach inspired the Cubists, including Georges Braque and Pablo Picasso, who further explored these ideas and incorporated them into their own revolutionary art form.

Georges Braque, in particular, was deeply influenced by Cézanne's structural exploration. He abandoned the vibrant colors of Fauvism, focusing instead on the structural challenges that had consumed Cézanne. This shift marked a significant change from the traditional linear perspective that had dominated Western art for nearly five hundred years. Braque, like Picasso, sought to represent objects from multiple perspectives in one painting, challenging the viewer's perception of depth and space.

Furthermore, the Cubism movement, spearheaded by Braque and Picasso, drew upon various influences, including African sculpture and Iberian artworks, to create a multi-dimensional approach to painting and sculpture. These artists aimed to force viewers to acknowledge the canvas or sculpture as a material object rather than a window into an illusionistic space, thereby inviting them to engage with the artwork in a fundamentally different manner.

Cézanne's legacy is continued through his influence on the Cubist movement, with his artistic inquiries revolutionizing not only painting but also inspiring literary, architectural, and musical movements of the 20th century. His commitment to breaking down objects into their elemental geometric forms fundamentally changed the path of modern art and earned him posthumous recognition through the 'Cézanne medal' in Aix en Provence.

Answer:

statue of david

Explanation:

(B) the notation

Music notation has made lifes easier, as it is written down in such a way that anyone can play it. Many ways were used in the past to write music. In past, the notation was written on tablets called cuneiform. Today mostly the musicians write their musical notes on stave.

It is false to say that artists during the Renaissance were supported by wealthy people known as humanists. Artists received patronage from a variety of wealthy sources, including the Church and merchant families, who were influenced by humanistic values. Humanists were intellectual proponents of the Renaissance, not necessarily the financial backers of artists.

The statement that during the Renaissance, artists were often supported by wealthy people known as humanists is false. While it is true that artists were supported by wealthy patrons, the term 'humanist' refers to individuals who were part of an intellectual movement that valued the study and revival of classical antiquity, rather than being merely financial supporters. The wealthy patrons who supported the arts included members of the Catholic Church, secular rulers, and affluent merchant families, such as the Medici.

During the Renaissance, the flourishing of the arts was extensive due to the economic wealth and the sponsorships from the church and wealthy families. Artists became regarded as trained intellectuals and were often involved in exploring humanist themes in their work. For example, the treatment of perspective and light in humanist painting became particularly noteworthy during this period. Education for artists was also of heightened importance as studying mathematics, anatomy, and classical themes were all aspects of humanism that contributed to the art of the time.

Answer:

1/8 cup is not a standard set of measuring cups.

Explanation:

The English measuring system classifies the measurement of cups in only 10 sizes: 1/4 cup, 1/3, 1/2, 2/3, 3/4, 1, 1 1/4, 1 1/2, 1 3/4, 2. This is because the scale that the international metric system and the English system agreed was only for these sizes due to the closed tens and hundreds goal. It is easier to make conversions from one system to the other, instead of smaller sizes that would require less closed conversions.

Answer: c. wedding gowns

During the war, the supply of fiber from Japan was cut off and thus there had been a goal of a 15 percent reduction in the amount of textiles that can be used in women’s wear. Wedding gowns, however, were exempted from wartime restrictions.