Which statement about illuminated manuscripts by Celtic, Japanese, and Islamic artists is true? A. They contained few symbols. B. They contained beautiful lettering and painted decoration. C. They preserved knowledge from ancient Egypt.

Answer:

Texture

Explanation:

texture weaves together various pitches, rhythms, and tone colors. Found in music lesson

Answer:

Rose windows have various implications. Most windows have 12 areas of the board, which could identify with the way that there is twelve witnesses.  

Explanation:

However, on the off chance that you are searching for a representative significance, the Trinity/or/idea of The Father, The Son, and the Holy Spirit as three of every one.  There's additionally the reason light is permitted through the boards. Destined to pass on or bring the vibe of something divine looking over the congregation individuals.

Rock paintings up to 2,400 years old in South Africa's mountains depict local animals, human activities like hunting and dancing, and interactions between the San people and elephants, revealing aspects of early human society and prehistoric art.

Rock paintings found in the mountains of South Africa, which are up to 2,400 years old, depict a variety of scenes and elements. These paintings often illustrate animals local to the area, such as elephants and giraffes, and depict human activities like hunting and dancing. In the Cederberg Caves, for example, there is rock art that depicts the San people interacting closely with elephants, suggesting a significant cultural relationship with these animals. Additionally, some rock art from the region shows herds of cattle and other large wild animals, which have made the Tassili region in Africa world-renowned for its prehistoric art. The discovery of these rock paintings and engravings provides valuable insights into the lives and artistic expressions of early human societies in Africa.

Bramante's Tempietto and a Buddhist mandala share a significant compositional feature: their central plan based on the circle, symbolizing eternal and spiritual concepts.

The significant compositional feature that Bramante's Tempietto and a Buddhist mandala have in common is their central plan based on geometric shapes, particularly the circle. Both structures utilize circular designs that symbolize eternal and spiritual concepts. Bramante's Tempietto, with its circular plan, embodies the Renaissance appreciation of ancient Roman architecture and the spiritual association of circles with perfection and the divine. Similarly, the Buddhist mandala, with its intricate circular design, represents the universe and serves as a tool for meditation, guiding the viewer towards enlightenment. Both compositional features reflect a deep engagement with geometry to express cosmic and religious principles.