The Answer is A And B
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Movements in art are often paralleled by movements in a0.
Answer:
movements in art are often parallel to movements in literature.
Explanation:
The camera is a relatively new invention, dating back to the ______(1)______. However, the science of photography dates back centuries, with the first example being invented by a scientist around ______(2)______ AD. a. (1) 18th century; (2) 2500 b. (1) 1800s; (2) 1000 c. (1) 1900s; (2) 4500 d. (1) 20th century; (2) 3000
The camera is a relatively new invention, dating back to the 1800s. However, the science of photography dates back centuries, with the first example being invented by a scientist around 1000 AD. a. (1) 18th century.
What is the science behind taking a photo?A camera lens takes all the light rays bouncing around and uses glass to redirect them to a single point, creating a sharp image. When all of those light rays meet back together on a digital camera sensor or a piece of film, they create a sharp image.
Learn more about the science of photography here: brainly.com/question/13600227
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Answer:
B (1) 1800s; (2) 1000
Explanation:
I chose A and it was wrong.
Advanced glazing and casting techniques for pottery and ceramics were discovered during the French Renaissance by
How and what techniques did Claude Monet use to compose the Haystacks paintings?
Claude Monet's Haystacks series, including 'Haystacks (Effect of Snow and Sun)' and 'Haystacks Midday,' showcases his Impressionist technique of short, quick brushstrokes and a variety of opaque colors to capture the changing effects of light on the haystacks near his home in Giverny.
Explanation:Claude Monet, a central figure in the Impressionist movement, created a series of paintings focused on haystacks near his home in Giverny. Utilizing the technique of painting en plein air to capture the transient effects of light and atmosphere, Monet produced one of his most famous series, the Haystacks. These works, including 'Haystacks (Effect of Snow and Sun)' and 'Haystacks Midday', showcase Monet's interest in how light and time of day influence color and perception.
Monet's technique involved layering short, quick brushstrokes with a variety of opaque colors to recreate the intricate play of light on his subjects. He painted multiple canvases of the same scene at different times of the day, keenly observing how the changing sunlight altered the appearance and color of the haystacks. This painstaking process was driven by his ambition to capture fleeting moments of natural light and shade, emphasizing the importance of direct observation and the impact of light on color. Monet's haystacks series broke new ground in its emphasis on variation, repetition, and temporal change, setting a precedent for the treatment of light and atmosphere in art.
What is the name of the particular feeling that Romantic landscapes were meant to invoke in viewers?
Romantic landscapes were intended to evoke the sublime, a feeling of awe mixed with terror in the face of nature's grandeur. Romanticism emphasized emotional responses and individual imagination, with the Hudson River School being a notable example of this philosophy in art.
Explanation:The particular feeling that Romantic landscapes were meant to invoke in viewers is known as the sublime. This emotional experience combines awe, beauty, and terror, often eliciting a profound reaction to nature's grandeur and power.
Romanticism as an artistic and intellectual movement placed emphasis on emotion, freedom, and the individual imagination. In this context, the sublime experience is closely associated with nature's untamed aspects and its capacity to inspire the observer with overwhelming feelings that transcend everyday experiences.
English painter Edmund Burke suggested in his work A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful that the sublime could evoke emotions such as terror in humans.
Romantic artists aimed to capture this sense of the sublime in their landscapes, depicting nature as a dominant and awe-inspiring force. The paintings often included elements designed to enhance the romantic atmosphere, such as mysterious ruins or idyllic pastoral scenes.
The Hudson River School, for example, was known for landscapes that exemplified the romantic sublime in 19th-century America.
Final answer:
The sublime is the feeling that Romantic landscapes aimed to invoke, characterized by powerful emotions of awe and grandeur. This was central to the Romantic movement, which emphasized the individual's emotional experience and connection with nature.
Explanation:
The particular feeling that Romantic landscapes were meant to invoke in viewers is known as the sublime. This term refers to a feeling of awe, grandeur, and a sense of the overwheling power of nature, which often induces emotions ranging from wonder to terror.
Edmund Burke, in his Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, suggests that nature can elicit sublime emotions that transcend everyday experience.
Romanticism as a movement idealized these emotional experiences alongside a profound reverence for nature, elevating the individual imagination above classical forms and academic conventions.
Artists from the Romantic period sought to capture this sensibility in their paintings, using techniques that conveyed drama, emotion, and a deep appreciation for the untamed aspects of the natural world.
The landscapes were not just visually appealing, but also emotionally stirring, allowing viewers to feel a personal and authentic connection with the raw power of nature and the human spirit.