Answer:
false duh
Explanation:
The Brainwashed album includes the song _________, featuring George on vocals, slide and acoustic guitars, and harmonies, Jeff Lynne on electric guitar, bass, and piano, Dhani Harrison on Wurlitzer electric piano, and Jim Keltner on drums. As a single, the song reached #27 in the U.S.
Answer:
you get what you give
Explanation:
Answer:
The correct word for the blank space is: "Any Road".
Explanation:
"Any Road" is a song written and produced by British musician George Harrison (1943-2001) and published post mortem on his album Brainwashed (2002). The song was nominated for a Grammy in 2004 in the category "Best Male Pop Vocal Performance". The song was only publicly performed once in an interview Harrison gave to entertainment channel VH1.
Soul music during the 1960s was characterized by . . .
A) high, soaring vocals.
B) highly decorated, emotional vocal techniques.
C) call and response between the lead singer and backup singers.
D) smooth, choreographed dance movements.
E) All of the above
Answer:
B the answer is B
Explanation:
Soul music during the 1960s was characterized by highly decorated, emotional vocal techniques. Thus, option B is correct.
What is the significance of Soul music?Soul music is the passionate and emotional essence of these blues guitarists' songs captured the new spirit, attitudes, values, and convictions of blacks, which later changed the social, political, and monetary systems of American society.
In the 1960s, soul music served as a vehicle for self-awareness, protest, and social change. Soul music became popular for dancing and listening during the Civil Rights Movement, when record labels such as Motown, Atlantic, and Stax were influential.
Therefore, option B is correct, that Soul music in the 1960s was distinguished by highly ornamented, emotional vocal techniques.
Learn more about Soul music, refer to:
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Web 2.0 describes technology for the Web that focuses on ________. a. blogs b. social media sites c. wikis d. all of the above
Answer:
I think b. social media sites
During February and again in April of 1987, _________ is in Memphis recording at 3 Alarm Studios run by Chips Moman, who worked with Elvis in the '70s. Problems arise as the sessions do not go well, even with Bob Dylan in attendance, and the sessions go unreleased.
The recording sessions in Memphis at 3 Alarm Studios, managed by Chips Moman with the presence of Bob Dylan, faced issues and resulted in unreleased material. The sessions possibly involved the works of Elvis Presley or another artist influenced by Presley's unique blend of gospel, blues, bluegrass, country, and R&B. Presley's Memphis upbringing played a key role in his capability to integrate these diverse musical influences.
Explanation:During February and again in April of 1987, Elvis Presley (though he had passed away by then, this situation often involves recordings made during his lifetime or reissues of his previous work) or potentially another artist influenced by him, is in Memphis recording at 3 Alarm Studios run by Chips Moman, who worked with Elvis in the '70s. The sessions encounter problems and do not proceed as expected, with Bob Dylan reportedly in attendance, which contributes to the notable fact that these recordings go unreleased.
Elvis Presley's initial recordings with Sun Records, including "That's All Right" and "Blue Moon of Kentucky", showcased his unique ability to blend different musical styles such as gospel, blues, bluegrass, country, and R&B. These styles were integral to the cultural and musical landscape of Memphis, Tennessee. Presley's upbringing in this musically rich environment allowed him to absorb and synthesize these various influences, creating a sound that became synonymous with the Memphis music scene.
The influence of the musical diversity present in Memphis is evident in Presley's fusion of the blues from the lower Mississippi Delta (Arthur "Big Boy" Crudup's work) with the bluegrass from Kentucky (Bill Monroe's compositions), crafting a new style that resonated with a wide audience and contributed significantly towards the innovation of Memphis music.
In the film Atonement, in the scene where Robbie is at the typewriter, he sets the phonograph needle down on a Puccini aria from La Boheme. The aria begins as diegetic music, but it soon functions, in many respects, as nondiegetic music. Which of the following is NOT a way in which the aria functions as nondiegetic music?
Answer:
C) The music bridges the cut to Robbie's hand-off of the letter to Briony.
Explanation:
According to a different source, these are the options that come with this question:
A) The music binds together the crosscut shots of Cecilia and Robbie.
B) The music conveys the feelings Robbie and Cecelia have for each other.
C) The music bridges the cut to Robbie's hand-off of the letter to Briony.
D) The music abruptly stops when Robbie rips a page out of the typewriter.
This is not one of the ways in which the aria functions as non-diegetic music. Diegetic music is music that comes from a source that is visible on screen, or that is included by the action of the film. Examples of this include the voices of characters or the music that comes from objects that are part of the story. On the other hand, non-diegetic sound refers to sound that is not included in the action of the story, such as mood music.
__________ was Paul's first single released from the Flowers in the Dirt album. Co-written by Paul and Elvis Costello, one critic calls it "brilliant Pop songwriting from two masters of the form," and, at Elvis' request, Paul played his old Hofner bass from his Beatles days on the song.
Answer:
My Brave Face
Explanation:
The first single released from the Flowers fo the Dirt album was "My Brave Face". The single was released on May 8th 1989.
The first single released from Paul McCartney's album 'Flowers in the Dirt' was 'My Brave Face,' co-written with Elvis Costello, who requested McCartney to use his old Hofner bass for the recording. The option (A) is correct.
It was co-written by Paul McCartney and Elvis Costello, showcasing the brilliant Pop songwriting skills of both artists. At Elvis Costello's request, McCartney went back to his roots and played his iconic Hofner bass on the song, which he famously used during his Beatles days.
This collaboration between McCartney and Costello is often highlighted as an example of great pop music artistry, bringing together their shared talent for crafting engaging and memorable songs.
This question is not complete, Here I am attaching the complete question:
__________ was Paul's first single released from the Flowers in the Dirt album. Co-written by Paul and Elvis Costello, one critic calls it "brilliant Pop songwriting from two masters of the form," and, at Elvis' request, Paul played his old Hafner bass from his Beatles days on the song.
A) "My Brave Face"
B) "Figure of Eight"
C) "This One"
D) "Put It There"
Ringo's 1981 album _________, originally entitled Can't Fight Lightning,followed Ringo's established pattern of getting his musical friends tocontribute original songs which he could record. John, Paul, George, HarryNilsson, Stephen Stills and Ronnie Wood all provided material and severalacted as producers
Stop and Smell the Roses
Gone Troppo
Cloud Nine
Tug of War
Pipes of Peace
Answer:
hellooo!!!!
Explanation:
In February of 1981, Ringo and CBS Records have a falling out, and Ringo switches record companies to RCA who will eventually release the Can't Fight Lightning album as Stop and Smell the Roses.
Shining Ordinary People Amadeus A Little Romance Excalibur
1. Music by Mozart
2. Avant-garde music, particularly by Penderecki
3. Wagner's music dominates
4. Helped popularize Pachelbel's Canon
5. Music of Vivaldi suggests destination of travel
Answer:
The correct answer is:
Shining - 2. avante-garde music particularly by Penderecki
Ordinary People - 4. Helped popularize Pachelbel's Canon
Amadeus - 1. Music by Mozart
A little Romance - 5. Music of Vivaldi suggests destination of travel
Excalibur - 3. Wagner's music dominates
Explanation:
The previously mentioned pieces of scenic art had a particular function regarding music, there were some proportionally direct relationships established within music and movies that became popular hand to hand and nowadays are recognized in the previous couples.
Final answer:
The question relates to classical music featured in various films, including works by composers Mozart, Penderecki, Wagner, and Vivaldi, representative of genres like opera, concerto, and symphony. These pieces and their composers have contributed significantly to the arts and have been used to enhance film narratives and atmospheres.
Explanation:
The question concerns the identification of specific pieces of classical music and their composers, related to a selection of movies. Here is the breakdown of the movies and their corresponding music characteristics:
Amadeus: Known for music by Mozart, including pieces such as "Eine Kleine Nachtmusik". Amadeus is a biographical film about the life of Wolfgang Amadeus Mozart.Shining: Features avant-garde music, including works by Penderecki, aligning with the film's suspenseful atmosphere.Excalibur: Wagner's music is dominant in this film, reflecting its epic scope and the grandeur of the Arthurian legend it portrays.A Little Romance: Helped popularize Pachelbel's Canon, a baroque piece often played at weddings and other formal events.Ordinary People: The music of Vivaldi suggests the destination of travel, likely due to Vivaldi's association with Venice, Italy.
These films showcase a range of classical music genres, such as opera, concerto, and symphony, reflecting diverse historical and aesthetic contexts. The operatic genre, for example, was greatly advanced by composers such as Mozart and Wagner, the latter pushing the boundaries of music with his concept of Gesamtkunstwerk. Such musical pieces and composers are intrinsic elements of the arts and have had a profound impact on both the world of music and the cinematic experiences.