Romantic artworks, such as Delacroix's Liberty Leading the People, were often intended as

The elements of art that have been used by Tavernier in the given painting is done by making the use of the  texture, lighting, and details. So that he can easily depict the dance ceremony that is being held in the underground at the subterranean roundhouse.

Elements of art are stylistic features visible in artwork that aid in communicating the artist's intended message to the viewers. Some of the most common elements that can be seen in art are texture, space, color, line, shape, value, and many more.

There are various reasons behind which these elements are used while framing any kind of art, as they provide a balance of unity movement to the art and also emphasize the medium on which the art has been prepared.

Thus, the picture that has been made by Tavernier uses the elements of art, which makes the picture more interesting, a person can see a bunch of people in an auditorium who are engaged in a dancing ceremony.

An image has been attached for better understanding.

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Answer:

passive

Explanation:

In this example, it is likely that John and Lucy are using passive listening skills as they straighten and clean the house. Passive listening occurs when people listen to something without the purpose of reacting to the message they are receiving. Passive listening focuses on the reception of a message, as opposed to the visible actions that indicate that we received the information. In this case, the couple are using passive listening skills because the radio station is meant to be a distraction. Their main task at hand is not the listening, but the cleaning.

Final answer:

The Sleep of Reason Produces Monsters is a significant artwork by Francisco Goya embodying themes of Enlightenment values and Romanticism's reaction.

Explanation:

The Sleep of Reason Produces Monsters by Francisco Goya is an iconic artwork showcasing a dark vision of humanity with elements forcing viewer participation.

In this masterpiece, Goya uses regularity of line and shape to create rhythm in the lower half, illustrating a contrast between the benign and the threatening elements.

This artwork encapsulates themes of Enlightenment values, Romanticism's reaction, and the role of reason and imagination in artistic creation, making it a thought-provoking piece in art history.

Answer:

Vitruvian man was a drawing created by Leonardo da Vinci

Explanation:

in c.1490 during High Renaissance. The drawing depicts a naked male figure showcased in two positions with his legs and arms spread out. Leonardo da Vinci was fascinated by human anatomy and wanted to create an image of a perfect man. The purpose of this drawing was to bring together human anatomy and art in one image.

Answer:

Vincent Van Gogh

Explanation:

Starry Night (1889) is a painting by Vincent van Gogh made using the oil on canvas technique and has dimensions of 73.66 x 92.08 centimeters.

The painting Starry Night was created with elements from Van Gogh's memory, and most of his works were painted with landscape observation. While in the asylum, the Dutch artist devoted himself to painting the landscapes he saw in Provence. At that time, the painter broke with his impressionist phase, presenting a very characteristic style, in which strong primary tones such as yellow, which had meanings for Van Gogh predominate.

It took the painter three nights to finish The Starry Night. The painting shows a landscape that metamorphoses real elements with Van Gogh's memories, like a typical Dutch church. One of the striking features of the work is the difference between the turbulent, curvy sky and the tranquility of the village. "The night is much more vivid and colorful than the day," said the painter of the work.

I believe the correct answer is C. They first showed the contrapposto pose, with the weight shifted to one leg and the body in an S-curve.

Contrapposto (counterpoise) is the technique used in the visual arts to describe a human figure standing with most of its weight on one foot and the body in an S-curve.  Greek sculptors used contrapposto to present how the body could convey the whole range of human emotional sensation or movements, culminating in the desperate anguish and pathos. The best example is the sculpture  “Laocoön and His Sons”.

The answer is C. They first showed the contraposto pose, with the weight shifted to one leg and the body in an S-curve

During the Three Kingdoms era in Korea, the three sovereign countries were:

Koguryo

Paekche

Silla

The most popular term in use in the United States to describe the independent states that comprise the global geopolitical system is "countries." In everyday speech, a country is synonymous with a sovereign state, which is also referred to as a "nation" or "nation-state."

A political entity with a single central administration and the highest level of legitimate power over its area is known as a sovereign state or sovereign nation. The declarative theory of statehood holds that a sovereign state can exist even if it is not acknowledged by other sovereign states.

It can be challenging for unrecognized governments to engage in diplomatic contacts with other sovereign states or to exercise their full treaty-making authority.

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I believe the correct answer is B. scene from everyday life.

The Pre-Raphaelite movement opposed the British Royal Academy, which championed a narrow range of idealized or moral subjects and conventional definitions of beauty drawn from Renaissance and ancient classical art. The artists of this movement were inspired by the centuries preceding the Italian High Renaissance and they depicted nature and the human body realistically. Some of the examples of this movement are: “The Lady of Shalott” by John William Waterhouse and “Ophelia” by John Everett Millais.

(B) Emotional resonance

Color can leave a very strong impact on a viewers mind that is his emotional response. Many studies show that visuals in color attract the people by 80%. Colors leave a strong effect on our mood like red triggers string emotions, blue promotes calmness and yellow shows happy feelings.

Answer:

D. Giorgio de Chirico

Explanation:

The Greek-Italian painter was born in Volos, Greece, on July 10, 1888. As a young man he studied arts in Athens and Florence. After this period he moved to Germany, where he studied philosophy and, in 1917, founded an artistic movement called "Metaphysical Painting" with the painter Carlos Carrà. Deeply enthusiastic about such a theme, Chirico paints his first famous series, 'Squares of Metaphysical Cities' - "Autumnal Melancholy" and "The Puzzle of the Oracle."

His particular way of seeing and understanding the world was strongly influenced by philosophers such as Nietzsche and Arthur Schopenhauer, who directly impacted his metaphysical art, as if his paintings were the plastic expression of these philosophies. Giorgio de Chirico was as enigmatic as his early works. I wanted to decipher the essence of man, the universe, the relationships, the elements. His paintings try to give meaning to the abstract and the objects disposed to silence and emptiness, taken from their common scenarios to relate to each other in the painter's absurd world. Nietzsche's metaphorical style was absorbed by Chirico and, consequently, unburdened in his works, which seem to be translations of his uncommitted spirit with reality, almost free association.

Apart from philosophy, Chirico was also very inspired by the poetry of Baudelaire, Rimbaud, Hugo, Apollinaire, Max Jacob, among others. It was a romantic, above all. Or a dreamer, if the two are not one. His lyrical visions were taken by improbable and unrealistic features, but full of symbolism. All this oneirism of its first artistic period opened cracks to the surrealist aesthetic.

A tapestry is a textile art form, often used as a wall hanging, with intricate woven imagery. The creation process began with an artist's drawing, known as a cartoon. Historically, tapestries have served as both decoration and storytelling devices, chronicling events like the Battle of Hastings as depicted in the Bayeux Tapestry.

Tapestry is a form of textile art, traditionally woven by hand on a loom. Tapestries are often used as wall hangings or furniture coverings and are notable for their use of color and intricate details, which are produced by weaving different colored weft threads over and under the warp threads. The famous Bayeux Tapestry is one such example, although it is technically an embroidery rather than a woven tapestry.

Creation Process

To create a tapestry, an artist would start with a small-scale drawing known as a cartoon. This drawing, mirroring the final design, would be enlarged and serve as a guide for the weavers. During the weaving process, materials such as dyed wool, silk, and sometimes precious metals would be used to form the design. The complexity of the patterns and the high-quality materials often made tapestries expensive and valuable items, regarded as symbols of status and wealth.

Historical Significance

Throughout history, tapestries have been used as a form of storytelling and chronicling events. They often depict religious, historical, or allegorical scenes, with the Bayeux Tapestry providing a visual account of events like the Battle of Hastings in 1066. As artistic chronicles, tapestries not only enhance the aesthetics of a space but also serve an educational purpose, giving insights into the cultures and events of the past.

Correct answer choice is:

D. Gabrielle d'Estrees and One of Her Sisters

____________________________________________________________

Explanation:

This art is by an unknown artist. The Louvre, where it is saved, associates it with an artist from the Fontainebleau School. There were two: the front, throughout the rule of François I, was formed up of Italian and French painters who had come to enhance the Château de Fontainebleau, a genuine constructive proclamation of the French Renaissance. The following, throughout the rule of Henri IV, induced collectively two French artists and a Flemish artist with the permissible extension of several Parisian painters.

Correct answer choice is:

As with consequently several of his paintings, Ingres relishes in catching surface textures: the elegant velvet; the fresh luster of the silk, browning the flesh; the braided tassle of the cushion; the glossy coating on the wood texture, all crocheting throughout and animate the appearance. See the way, for instance, the shawl points us to her face or the white muslin wraps her hair, billowing off to the right so as to equalize the momentum of her left arm.

tabla is the wrong answer as well

Answer:

existentialism on plato i just took the test and got it right

Explanation:

Answer:

One of Korean photographer Atta Kim’s influences is Zen Buddhism, which holds that the sacred pervades all things.

Explanation:

South Korean photographer Atta Kim (1956 -) works with the human body, exploring color photography in large format. His works are also photographed installations, where bodies are hung, crushed, compressed through acrylic plates and people confined in transparent boxes. Atta Kim conceptualizes his work through a strong influence on Zen Buddhist iconography, temporal existence, the writings of Heidegger and G. I. Gurdjieff, on the transcendental question.

Answer:

The answer is option B.

Explanation:

A mold planner is somebody who adores to ponder form patterns, portray outlines, select materials, and have a section in all the generation parts of their plans. They add to the formation of millions, if not billions of bits of apparel and adornments acquired by buyers on a yearly basis.Fashion is tied in with communicating your personality, indicating somebody your identity through your design decisions and utilizing your garments to educate somebody something regarding you. Or if nothing else it is for me-I assume for a few people garments is just about solace or utility however for me it's tied in with conveying everything that needs to be conveyed.

(D) Mary and child

Lorenzo di Credi shows that there is  an angel who introduced the baby John the Baptist, a patron saint of Florence, to his newborn cousin, Jesus, who is adored by his mother. The soft, diffused light in the picture is inspired by the work of the Netherlandish painter Hans Memling, it creates a mood of “gentle pietistic reverie”.

High relief is the type of relief in which the object or figure stretches out of the background.  In high relief, the image stretches from the background to half of the material it is carved out from.

In high relief, the sculpted parts are usually curved back into the background. One of the attributes of high relief is that the figures are completely or parts of it disengaged from the background.

A relief sculpture is a kind of sculpture in which an object is supported by background and usually on a surface.  Reliefs are categorized based on the height and how far the figures or object is from the background.

However, the other two main types of relief sculpture include:

Therefore, a high relief is the type of relief the figure stretches out of the background.

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KEYWORDS:

A high relief is a form of sculpture which protrudes significantly from the background for a deep, three-dimensional effect. In the examined relief sculpture, the figures raise more than half of their depth from the background, which is a characteristic of a high relief.

A high relief, or alto-relievo, is a form of sculptural art that heavily protrudes from the background. This technique gives a dramatic depth and three-dimensionality. The figures in a high relief extend at least half or more of their depth from the background, creating a realistic and striking visual impact. These attributes contribute to the depiction and perception of motion and lifelike qualities in the figures.

Examining the given relief sculpture, its attributes clearly make it a high relief sculpture. For example, if you observe the figures closely, you will see that they are significantly raised from the background, likely more than half of their actual depth. This gives them a sense of depth and realism and provides a strong visual effect, characteristics that are indicative of high relief sculptures.

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Walt Whitman's poems present images of mid-19th century America, contrasting natural beauty with urban development, a juxtaposition still relevant today. His enduring poetry offers insight into America's historical landscape and continues to captivate readers with its celebration of individualism and the American spirit.

Walt Whitman's poetry paints vivid images of mid-19th century America, often contrasting the burgeoning urban landscapes with the untamed beauty of the natural world. His use of natural elements often serves to highlight the inherent beauty and freedom of the American landscape, contrasting sharply with the industrial and man-made settings that symbolize modern progress. For instance, in his poems, one can sense an adoration for open fields, clear skies, and diverse wildlife contrasted against the bustling cities and emerging technologies of his time.

The America Whitman depicted in his poetry would be quite different than America today with its massive urban sprawl, advanced technology, and vast cultural and demographic changes. However, the core themes of Whitman's work, such as individualism, democracy, and the beauty of the natural world versus the complexities of urban development, still resonate with readers and serve as a mirror reflecting the growth and changes over time.

Answer: C

Explanation: The modern piano was still evolving in the nineteenth century. Leather hammers were  replaced with wooden ones for increased strength. High and low notes were added to the  keyboard. These innovations had a profound impact on new compositions. The modern  piano’s capabilities for dynamic changes and note range gave composers a more colorful  palette for “painting” their musical ideas.

Much of the piano music composed in the nineteenth century was intended to be played in  the home. Two of the era’s most noted composers of piano music, Franz Liszt and Frédéric  Chopin, composed with the home pianist in mind. However, they also wrote large-scale  works intended for concert halls.