Which 19th century art movement depicts modern life by frequently showing laborers and the poor?

A. Gothic
B. Realism
C. Naturalism
D. Enlightenment

The Renaissance movement developed a great interest in the classical world including Greek and Roman studies of poetry ethics science and rhetoric.

The Renaissance, an artistic movement, represents a period in European history, covering the span between the XIV and XVII centuries. Renaissance was characteristic for its own invented version of humanism, which was derived from the rediscovery of Greek philosophy and the concept of Roman Humanitas.

The Romantic movement developed a great interest in the classical world, including Greek and Roman studies of poetry, ethics, science, and rhetoric.

What is the Romantic Movement?

Romantics were drawn to the ideals of ancient civilizations, viewing them as sources of inspiration and wisdom. They admired the artistic and philosophical achievements of antiquity, seeing them as a contrast to the rationalism and industrialization of their own time.

By embracing classical literature, philosophy, and art, Romantics sought to reconnect with nature, explore the depths of human emotion, and challenge the societal norms of their era.

George martin orchestrated the Beatles to create this "tooty," woodwind sound. The clarinet is descanted with McCartney's singing in the song's last verse.

They were humorous and really brilliant, he continued. Additionally, they were the sort of folks you enjoyed spending time with. I, therefore, reasoned that if I feel this way about them, others probably will too. They ought to be quite well-liked as a result.

Record producer and composer Sir George Henry Martin, CBE, was an Englishman who lived from 3 January 1926 until 8 March 2016. Because of his considerable involvement in each of the Beatles' initial recordings, he was referred to as the "Fifth Beatle." He is referred to as the "most famous record producer in the world" by AllMusic.

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Final answer:

Woodwind instruments produce sound through reeds, keys, and tube shapes that influence timbre.

Explanation:

In woodwind instruments, a single or double reed vibrates to create sound. For example, in the clarinet and saxophone family of instruments, a single reed vibrates.

Keys activated by springs and levers extend the reach of the human hand in opening and closing holes in the instrument. The cross-sectional shape of the tube changes the overtone frequencies, giving the particular instrument its timbre. Playing the oboe requires forced exhaled air through two very small wooden reeds, exemplifying the intricate process of producing sound in woodwind instruments.

Hello, this question is incomplete. The complete question would be:

"Read the excerpt from the Maori creation myth.: The god of forests and birds wedged himself between Rangi and Papa, his back to Papa and his feet against Rangi. Using his legs, he began to move the way trees grown in the forest. Slowly but surely, he pushed his legs upward until his parents were wrenched apart.

Read the excerpt from the Haida creation myth: Before the chief could move, his daughter handed the child this new toy to play with. This time, knowing the treasure that lay inside, the child turned back into Raven, who snatched the box in his beak and flew up through the smoke hole in the ceiling. Once away from the Sky Chief, Raven released the Sun from its confinement. Light shone across the entire earth, illuminating mountains, rivers, and oceans.

Based on these excerpts, both the Haida and Maori believe that children are"

Answer:

more clever than their parents.

Explanation:

Both texts show children having bold, intelligent, and grandiose attitudes. Showing that the children had admirable intellectual abilities and were capable of great and praiseworthy deeds. Parents had no such ability and for this reason the texts make clear and stressed the fact that their children were clever and smarter than their parents, being able to do extraordinary things.

Answer:

The end of the Middle Ages

Explanation:

With the decimation of a third of the European population by the Black Death, landlords saw a considerable decrease in the available labor force, which increased their exploitation of existing labor.

The servants realized that it was time to claim better living conditions, provoking serious peasant revolts. Meanwhile, the bourgeoisie was also revolting against the oppression exercised by the lords over the cities.

It was the end of the Middle Ages.

Answer: Only one movement

Explanation:

During the Three Kingdoms era in Korea, the three sovereign countries were:

Koguryo

Paekche

Silla

The most popular term in use in the United States to describe the independent states that comprise the global geopolitical system is "countries." In everyday speech, a country is synonymous with a sovereign state, which is also referred to as a "nation" or "nation-state."

A political entity with a single central administration and the highest level of legitimate power over its area is known as a sovereign state or sovereign nation. The declarative theory of statehood holds that a sovereign state can exist even if it is not acknowledged by other sovereign states.

It can be challenging for unrecognized governments to engage in diplomatic contacts with other sovereign states or to exercise their full treaty-making authority.

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Correct answer choice is:

As with consequently several of his paintings, Ingres relishes in catching surface textures: the elegant velvet; the fresh luster of the silk, browning the flesh; the braided tassle of the cushion; the glossy coating on the wood texture, all crocheting throughout and animate the appearance. See the way, for instance, the shawl points us to her face or the white muslin wraps her hair, billowing off to the right so as to equalize the momentum of her left arm.

As a style, realism doesn't adhere to classical rules. Instead, artists paint what they see, often using everyday observations as their subjects. It attempts to represent the subject in a truthful manner and without any artificiality and usually avoids anything that is implausible.

The correct answer is D. realism.

Realist artists paint a true representation of everyday life in a naturalistic setting. Realism is about depicting the truth as the artist sees it. Real life, real people. No idealism or exaggeration.

D. In 1861, the first color photograph was produced.

Based on a historical account, "the first color photograph was produced" in 1861.

This is evident in the fact that in 1861, Thomas Sutton took a set of three monochromes color separations photographs.

The idea of color photographs was originally suggested in 1855 by the Scottish physicist James Clerk Maxwell.

Hence, in this case, it is concluded that the first color photograph was made in the middle of the 19th century.

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I believe the correct answer is C. They first showed the contrapposto pose, with the weight shifted to one leg and the body in an S-curve.

Contrapposto (counterpoise) is the technique used in the visual arts to describe a human figure standing with most of its weight on one foot and the body in an S-curve.  Greek sculptors used contrapposto to present how the body could convey the whole range of human emotional sensation or movements, culminating in the desperate anguish and pathos. The best example is the sculpture  “Laocoön and His Sons”.

The answer is C. They first showed the contraposto pose, with the weight shifted to one leg and the body in an S-curve

Answer:

The word critical derives from the Greek and means "the art of discerning". The bearer must be able to discern the value, things and concepts and to make a value analysis. From all these possibilities comes their great activity of analysis; through analysis he builds his critique. The object of study of art criticism is the mechanism of analysis before the works.

A critic does not exist to explain a work of art, but to give an opinion on the theories they have studied and their values. Criticism also deals with the concept of impartiality, which means not defending either side of a particular subject. Whether their arguments defend an ideology or editorial positions is a matter of personal or professional positions.

A critique is constructed by a systematic analysis of concepts, to serve and inform society about what is being done and to bring to light plural visions about the importance that work or artist has at the historical moment in which it happens. To analyze the artistic work is always necessary to contextualize it, in its time and period. As many works also need time to be understood, in contemporary criticism the study of a set of works is more rigorous than the analysis of only one work.

Answer:

Rotoscoping is a process which creates animation using live footage as guides. A actual person is filmed, and then essentially that film is traced over using CGI or traditional animation techniques to create a more realistic animation.

Rotoscoping is the term for the hand, frame-by-frame editing of film material. Animator Max Fleischer created it in 1915 to enhance animated character movements and give them a more lifelike appearance.

It makes it simpler to rotoscope challenging and intricate actions. It shortens the animation process for a movie. It supports a wide range of rotoscoping techniques, including articulated rotoscoping, rotosplining, and matte creation.

Thus, Rotoscoping is a technique that entails reproducing an object from a series of real-world motion images, such as a video clip, frame by frame, using any drawing method. This produces a realistically moving silhouette that can be used as a model for animating a character.

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I believe the correct answer is B. scene from everyday life.

The Pre-Raphaelite movement opposed the British Royal Academy, which championed a narrow range of idealized or moral subjects and conventional definitions of beauty drawn from Renaissance and ancient classical art. The artists of this movement were inspired by the centuries preceding the Italian High Renaissance and they depicted nature and the human body realistically. Some of the examples of this movement are: “The Lady of Shalott” by John William Waterhouse and “Ophelia” by John Everett Millais.

Answer:

Tapestry: a piece of thick textile fabric with pictures or designs formed by weaving colored weft threads or by embroidering on canvas, used as a wall hanging or furniture covering

Monument: a statue, building, or other structure erected to commemorate a famous or notable person or event.

Portrait: a painting, drawing, photograph, or engraving of a person, especially one depicting only the face or head and shoulders.

Explanation:

100% define for answer requested

Correct answer choice is:

A. They were often allegories based on religion and morality.

Lucas Cranach the Elder was a German artist and printmaker remembered for his self-conscious paintings of German royalty, accompanying with biblical displays which imitate elongated, semi-erotic peelers. Hieronymus Bosch was a Dutch artist and illustrator from Brabant. He is generally viewed as one of the various well-known representatives of the Early Netherlandish art institution.

Answer : Option A) They were often allegories based on religion and morality.

Explanation : Lucas Cranach the Elder was a German Renaissance painter and printmaker artist who was a master in woodcut and engraving. He became famous for his self-conscious paintings of German royalty, which were accompanied with biblical displays. Luther and Cranach’s had done a collaboration work which can be seen in Luther’s German translations of the Bible, for which Cranach illustrated the book of the Apocalypse; which imitated elongated, semi-erotic peelers.

Whereas Hieronymus Bosch was a Dutch or can say as Netherlandish draughtsman who was also a painter from Brabant. He was most famous for being a notable representatives of the Early Netherlandish painting school.

This two example shows that each culture were based on individual's allegory views and were found to be region specific.

(D) Mary and child

Lorenzo di Credi shows that there is  an angel who introduced the baby John the Baptist, a patron saint of Florence, to his newborn cousin, Jesus, who is adored by his mother. The soft, diffused light in the picture is inspired by the work of the Netherlandish painter Hans Memling, it creates a mood of “gentle pietistic reverie”.

Final answer:

Lorenzo de Medici significantly influenced the Florence Renaissance through his patronage of renowned artists like Leonardo da Vinci, Botticelli, and Michelangelo, contributing to the cultural movement's success.

Explanation:

The Renaissance in Florence was significantly influenced by Lorenzo de Medici, a prominent figure of the Medici family known for their wealth and political power in the region. Lorenzo's encouragement and patronage played a vital role in fostering the cultural movement of the Renaissance.

By commissioning works from Florence's leading artists such as Leonardo da Vinci, Sandro Botticelli, and Michelangelo Buonarroti, he supported and stimulated the arts during this period.

The Medici family's wealth originated from the textile trade which was overseen by the guild of the Arte della Lana. Their economic prowess allowed them to exert control over the Florentine political system and sponsor artistic and architectural accomplishments. Under Lorenzo's patronage, art in Florence thrived, marking a significant chapter in the history of the Renaissance.

Furthermore, the social and economic conditions in Florence, including the flourishing of the textile industry, the emergence of a wealthy merchant class, and the intellectual movement of Humanism, created an ideal environment for the Renaissance to gain momentum.

The Medici family's support of the arts was integral to this, helping to transform Florence into a hub of Renaissance culture and thought.

Final answer:

Formalism in art theory values an artwork based solely on its form, composed of its medium and compositional elements, without considering context or content. It emphasizes 'medium specificity' and a focus on material use and form over narrative or socio-cultural practices.

Explanation:

Formalism is a concept within art theory that appraises the value of an artwork based upon its form: the way an artwork is made, its medium, and compositional elements.

This approach does not take into consideration anything outside the actual space of the work, notably ignoring references to realism, context, and content. Formalism allows for a focus on the material use and the two-dimensional surface, especially in painting and works on paper, which can alter the traditional aim of portraying a sense of depth.

Additionally, formalist criticism is not influenced by the socio-cultural practices or the narrative behind the artwork. This methodology emphasizes 'medium specificity', a principle highlighting the inherent meaning found in the use of materials to create an artwork. It promotes a purified discussion of abstract and nonrepresentational art, approaching them on their own terms, where the subject becomes the medium rather than something the medium represents.

High relief is the type of relief in which the object or figure stretches out of the background.  In high relief, the image stretches from the background to half of the material it is carved out from.

In high relief, the sculpted parts are usually curved back into the background. One of the attributes of high relief is that the figures are completely or parts of it disengaged from the background.

A relief sculpture is a kind of sculpture in which an object is supported by background and usually on a surface.  Reliefs are categorized based on the height and how far the figures or object is from the background.

However, the other two main types of relief sculpture include:

Therefore, a high relief is the type of relief the figure stretches out of the background.

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KEYWORDS:

A high relief is a form of sculpture which protrudes significantly from the background for a deep, three-dimensional effect. In the examined relief sculpture, the figures raise more than half of their depth from the background, which is a characteristic of a high relief.

A high relief, or alto-relievo, is a form of sculptural art that heavily protrudes from the background. This technique gives a dramatic depth and three-dimensionality. The figures in a high relief extend at least half or more of their depth from the background, creating a realistic and striking visual impact. These attributes contribute to the depiction and perception of motion and lifelike qualities in the figures.

Examining the given relief sculpture, its attributes clearly make it a high relief sculpture. For example, if you observe the figures closely, you will see that they are significantly raised from the background, likely more than half of their actual depth. This gives them a sense of depth and realism and provides a strong visual effect, characteristics that are indicative of high relief sculptures.

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Correct answer choice is:

D. Gabrielle d'Estrees and One of Her Sisters

____________________________________________________________

Explanation:

This art is by an unknown artist. The Louvre, where it is saved, associates it with an artist from the Fontainebleau School. There were two: the front, throughout the rule of François I, was formed up of Italian and French painters who had come to enhance the Château de Fontainebleau, a genuine constructive proclamation of the French Renaissance. The following, throughout the rule of Henri IV, induced collectively two French artists and a Flemish artist with the permissible extension of several Parisian painters.